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Simon Critchley Sonsuz Talepte bir yandan icinde yasadigimiz kapitalist liberal demokrasi döneminde yogun bicimde hissedilen siyasal hayal kirikliginin nedenlerini arastirirken, bir yandan da bu hayal kirikligini ve dogurmasi muhtemel nihilist tepkileri, insanlari sahiden motive etme gücü olan radikal bir siyasetle asmanin yollarini analiz ediyor. Böyle bir siyaseti sekillendirebilecek bir baglanma etiginin ve bu etigin tasiyicisi olacak özne ...

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Dinin geri dönüsü günümüz felsefesinin basat temalarindan biri, belki de birincisi haline geldi, ama felsefe bir din savasinin hükmettigi bir siyasal gercekligin abartili bir yankisindan öte pek bir sey sunmuyor bize. Seküler dönem yerini bir sekilde siyasal eylemin dogrudan dogruya metafizik catismanin ürünü oldugu yeni bir döneme birakmis görünüyor. Iste Critchleyin bu kitabi bir tür sekülarizmi mi savunmaliyiz, yoksa teizme dönüsü sükunetle...

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A new and expansive collection of essays from one of the world's best-known popular philosophers

I celebrate this third edition of the classic book on ethics and deconstruction that Critchley published over twenty years ago and which has been widely reread and reviewed both in the English-speaking world and well beyond it. This book was pathbreaking, for it started a whole line of reflection on the possible ethical implications of Derrida's work, that Derrida himself encouraged in his later writings. Critchley's book remains as crucial fo...

The emphasis on tragedy among the poets, dramatists and philosophers of Ancient Greece is presented as something instructive to the now, in this book from the series moderator of "New York Times" philosophy column 'The Stone'.

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From the moderator of The New York Times philosophy blog "The Stone, " a book that argues that if we want to understand ourselves we have to go back to theater, to the stage of our livesTragedy presents a world of conflict and troubling emotion, a world where private and public lives collide and collapse. A world where morality is ambiguous and the powerful humiliate and destroy the powerless. A world where justice always seems to be on both s...

From the moderator of The New York Times philosophy blog "The Stone, " a book that argues that if we want to understand ourselves we have to go back to theater, to the stage of our livesTragedy presents a world of conflict and troubling emotion, a world where private and public lives collide and collapse. A world where morality is ambiguous and the powerful humiliate and destroy the powerless. A world where justice always seems to be on both s...

The emphasis on tragedy among the poets, dramatists and philosophers of Ancient Greece is presented as something instructive to the now, in this latest from the series moderator of "New York Times" philosophy column 'The Stone.

Explores the meanings of subjectivity in continental philosophy in the wake of post-structuralism and critical theory.

Perché il calcio è così amato, e in maniera così viscerale? Cosa lo rende così appassionante? Forse il fatto che dietro la superficie fatta di tifo sfrenato e affari miliardari, nasconda molto altro. Se infatti applichiamo al calcio gli strumenti della filosofia contemporanea scopriamo, per esempio, che nonostante tutto il pallone è fondamentalmente socialista. O che la partita è il vero rito catartico dei nostri tempi, più vitale e coinvolgen...

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What do we think about when we think about football? Football is about so many things: memory, history, place, social class, gender (especially masculinity, but increasingly femininity too), family identity, tribal identity, national identity, the nature of groups. It is essentially collaborative, even socialist, yet it exists in a sump of greed, corruption, capitalism and autocracy.Philosopher Simon Critchley attempts to make sense of it all,...

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